Saturday, 4 May 2019

EP: Eve Clague - Young Naive Me

Eve Clague - Young Naive Me
Photo: Simon Curran



Eve Clague is an urban-folk / singer-songwriter hailing from Clonakilty in West Cork, who released her debut EP Young Naive Me last week.

Of the gorgeous opening self-titled track we wrote back in March; "On her debut single Eve Clague is nothing but natural, and there's a very fulfilling clarity and pristine delivery to her vocal here, no distractions. On first listen you are struck by the classic sound of both voice and music, but it also sounds effortlessly timeless, like it could never sound dated no matter when it was released. A disarmingly gentle sway drifts all across the track, comforting and warm, yet confidently driven towards a determined rallying call, sitting somewhere in the apex of folk, soul and even little hints of jazz vox."

It doesn't get more sleepy, and enchanting in the most melancholy manner, than on 'Endless Emotion', it's a stunning performance from Clague. During my late 20's to early 30's I would say 90% of my listening was 60's and 70's music, very little contemporary which I fell completely out of the loop with. Point being, this track, and other parts of Young Naive Me have me scratching my head as to what they are doing being born in 2019, this would have seen her make ripples between the late 60's and early 70's by any measurement, this is not hyperbole.

Falling back into contemporary folk territory, deft guitar plucking and a sweet jazz-infused electric guitar progression set the scene. Clague's vocal again is intoxicating, the pristine and lucid delivery is unique, even on its softer moments the power is observable. The orchestral movement and what sounds like upright-bass bending into the final thirty seconds add to the mystery and atmosphere.

By 'To and Fro' (and actually earlier on the EP after a few listens) you begin to note a defining characteristic of her song-writing, you think you are embarking on a bare acoustic-led journey, but the artist always has an ace up the sleeve later in each track where we are lifted to heightened plains of emotion, that said, this is probably the calmest moment on Young Naive Me. 

Closing with 'In Needing Others' you are challenged moreso than at any point previously, that heart-bruising feeling the likes of Joni Mitchell or Jeff Buckley could conjure up with their voices, lyrics and music in combination is flush. Thematically, as the EP title suggests, the collection of songs are about vulnerability, and in this particular moment an admirable honesty admitting that there is a reliance on company, the opposite of the oft-used cliché of "I'm just fine on my own", independence doesn't lead to happiness in all cases.

Young Naive Me is so beautifully picturesque, it's authenticity can be heart-breaking and moving, sometimes more than you'd like to allow it to be, as an entire package you'll struggle to hear a more complete piece of song-writing by an Irish artist this year.


Video: Stephen Robinson - Sunrise (Live)

Stephen Robinson - Sunrise


Dublin-based soul & blues singer-songwriter Stephen Robinson released his debut solo EP The Rest of the Night in 201, and is now putting the finishing touches to debut album Sunrise, a live studio version of the title-track was released a few weeks ago which you can enjoy above. There are a few familiar faces to be seen also in the band line-up such as Dec Quinn on keys and Aisling Browne on vocals.

Deep keys set the mood, and it doesn't take long at all to know you're in the thick of a very pleasing serving of classic blues-rock. Robinson's vocal is powerful and clean and the build is a swoon-filled affair, and then...at 2:47, Robinson's one-minute plus blues solo pushes everything next level, it's exhilarating and exactly what I love about this genre. Live videos rarely give the whole picture for what to expect from an album you haven't heard yet, but this is the perfect level of intrigue as we await Sunrise. 

Wednesday, 1 May 2019

EP: Felonies - What Comes Next

The Felonies - What Happens Next.



Formed in 2015, Wicklow-based alt-punks Felonies have striven to define themselves as one of Ireland’s most exciting live acts. Taking inspiration from the re-emergence of distorted garage rock and post-punk, the band combines raw lyricism, harsh musicality and melodic hooks to carve their unique sound.

There's a brash and intensely enjoyable hi-octane trundle that barges it's way unforgivably right across the entire 6 tracks of Felonies debut EP What Comes Next. This smash and grab sound trickles like dark melted treacle over the themes of the DIY-recorded and produced collection of tracks, whose theme is borne from the frustration of the myriad reasons behind the mass emigration of Irish youth over the past number of years. 

This is an important concept to have delivered in 2019, when the crash happened it was jobs that were the issue, but despite 'positive economic forecasts', young Irish people still bear the impact of the crisis. Pay is negligible when looked at as a ratio to the cost of basic needs such as a roof over your head (merely renting), seeing colleagues further into their career but doing the same work (or less) earning multiples of your salary due to 'temporary' cut-backs, has led to a brain drain in many areas.

The opening passage finds us at an airport waiting to board, you can't even leave the country because of the weather! On 'Welcome' a background snare rattle and wonky riff light the match and set fire to the frustration, cleverly using the pilot's on-board announcement to explain why you are young, Irish, and fucked, musically Felonies fling catchy hooks at us like ninja stars whilst bone-rattling their way through a caustic and distorted call and response. 

Following the skulking darkness of the drug crutch that is 'S.A.P.', lyrical delivery is spot on once again on the anti-rose glasses 'Small Town Syndrome', a despondent ode to those left behind, not just in the country, but by society, and who have given up all hope, condemned to what feels like a meaningless existence. The cross-over between psych-rock and punk from 2 minutes onwards is a joy to behold. 

If you want to get aurally bruised the intro to 'You're so Dark' is just the ticket, here Felonies flush 90's noise-rock right down the middle of the sonic funnel, rabid and chaotic, the finale is a thunderous hand-slap in the face almost drawing blood. 'Guide to Art' is a highlight for me, again incorporating the call-and-response vocals which duel frantically amid hard-rock, in one song the band have managed to traverse punk, classic and heavy rock in the most entertaining way. 

Sometimes artists can over-construe themes, burying them so deep and making them so broad that the message can get lost. Felonies are acute and precise with both lyrics and the idea behind What Comes Next?. It's a brave topic for a young band to take on, there or no illusions or allusions, it wears it's heart on its sleeve and it doesn't dwell on complexity, which isn't really a merry bedfellow for punk-driven angst anyway. Although they've been together for a number of years, it's still early doors for Felonies in terms of their output and reach, coupled with what I deem to be one of the best live bands in the country right now, and an ambitious debut EP, the world can be their oyster at the moment, and the path to the top of the mountain isn't looking too steep.