Monday, 9 July 2018

Irish Playlist #032: Pearse McLoughlin & Nocturnes, Proper Micro NV, MYTH, Hvmmingbyrd and more

Nocturnes - Confetti
Pearse McLoughlin & Nocturnes


Info: It's only been 1 week since the last round-up of quality single releases from Irish acts here at REMY and the barrel is over-flowing once again, long may it continue. 

1) Pearse McLoughlin & Nocturnes - 'Confetti'

To kick-off we have an invigorating ear-worm from Sligo's Pearse McLoughlin & Nocturnes, very reminiscent of Scandi electro-pop, it hums with a crisp beauty that disarms any resistance you may have. As early as the 40 second mark I'm hearing Eno movements which reverberate right until the end, it's understated, never goes too grand, but at the same time is very memorable.

2) Lowlight Gathering - 'Only You'

Gonna put my neck out hear, very willingly, and say that Lowlight Gathering's 'Only You' is easily one of the singles of the year. Why? It's not immediately noticeable on first listen, but very quickly 'Only You' from the Monaghan quintet rests very easy on the soul. It's not complicated, but often simplicity is harder to achieve and leaves you more exposed, here the indie-folk troupe nail it with a killer chorus.

3) Proper Micro NV - Dot Dot Dot

Beats n' clicks, clicks n' beats. Rory Hall has a natural gift when it come to delivering ambient electronica as Proper Micro NV, whilst imposing his personality and message via an assertive vocal that stares you right in the face. On top of that, his intuitive instinct for the groove and channelling of rn'b sounds continues to grow with every release.

Proper Micro NV - Dot Dot Dot

4) MYTH - 'Maiden'

Heavy, pondering, instrumental, you never know which MYTH is going to show up, with 'Maiden' the band go full pelt and devour any inhibitions they had previously to embrace their inner heavy rock, but it doesn't stymie there. The opening crunch quickly motors into hypnotic vocals and rhythms, gently, up, and down. The band indulge themselves in both parts of their musical map, and it levels out perfectly by track's end. The song's title and their dual lyrical use of prey / pray encapsulate the theme behind the sound.

5) Hvmmingbyrd - 'Prisms'

On occasion, as a music fan, I like to be taken to new places, as I'm sure most people do. Hvmmingbyrd have done that very directly in recent times with singles 'Gozo' and 'Papillon'. The former saw me wandering around narrow white-washed streets, and the second was a bit more psychedelic and out there. 'Prisms' is still as bright as those two singles, but it ushers me into a low-lit club circa 1992 (I was only 12 then btw so not possible). Aside from the visual, their latest single feels like the most life-affirming, it's very real in delivery and I can't help but feel that if a U.K. act released this track they wouldn't be heralded across local and national stations.

Saint Sister - 'Twin Peaks'

6) Saint Sister - 'Twin Peaks'

Saint Sister's 'Twin Peaks' is inescapably beautiful and unexpectedly familiar in terms of recording what we once knew, but have since forgotten. Lyrically something that grabbed me was the line "All my friends are in Berlin now", as the destination du jour to better yourself musically (why not, it worked for Bowie). Overall there's an irresistible smoothness and wit attached to 'Twin Peaks' which makes it a very lovable track.

7) Jealous of the Birds - 'Russian Doll'

Portadown solo act Naomi Hamilton, aka Jealous of the Birds, released her latest single 'Russian Doll' just over a week ago. Like a mish-mash of Sacramento lo-fi indie icons Cake and Weezer circa Blue album with a dash of London Calling, it's full of old-school black leather jacket coolness and suave. I would imagine Hamilton had a lot of fun recording this number, all the way down to that snappy hand-clap, it's infectiously up-lifting despite it's apathetic modus operandi.

8) Will de Búrca - 'Electric Light' 

Dublin electronic artist Will de Búrca is back following his excellent 2017 album Embedded which topped many end of year lists, with single 'Electric Light'. Tycho influences á la 2014's Awake album abound, de Búrca throws a good hefty amount of guitar rhythm in here in comparison to his previous outings, and the results are a twinkling synth-ripple on a sunset coastline. This aesthetic is captured in the real-time video of Dublin's Docklands shot in Clontarf below.

Will de Búrca - 'Electric Light'

9) Gavin Glass - 'Matador'

Taken from his forthcoming album Ocus Pocus which is out this Friday, 13th of July, Gavin Glass' new single 'Matador' is a love song which plays optimism and youthful naivety off each other. At its opening the vocal effect reminds me of Richard Hawley crooning, and that mellow drift continues until the first minute. From there, the music is whipped up into a frenzy of jangling electric guitars and snapping percussion. A comb in the mirror summer banger if ever there was one.

10) James Vincent McMorrow - 'Me and My Friends'

James Vincent McMorrow's latest single 'Me and My Friends' is a celebratory ode inspired in part by the birth of his newborn daughter, and also perhaps a wry look at adulthood, how it creeps up on you, but upon reflection, it's a good place to be. This is the type of track that I can just get on board with though without knowing anything about its background, and it's a lot of fun to come up with your own explanation and misinterpretations. More tropical than Post Tropical, JVMcM delivers a deliciously care-free, rn'b-charged 3 minutes and 20 seconds of happiness. This is also the song I would put on and dance to in an awkward situation to make everything better.


Sunday, 8 July 2018

Premiere: Jamie Adam - Cool Blood

Jamie Adam - Cool Blood Music Video Premiere

Jamie Adam - Cool Blood

Info: REMY is delighted to premiere the music video for the second single from Meath electronic act Jamie Adam, 'Cool Blood'. The follow up to his debut single 'The Power', both of which are taken from his forthcoming album, Melodic Electronic, due for release later this year. 

In his own words; "The song is a retrospective look at rejection and how one specific encounter changed Jamie's personal philosophy on the concept. It blends a reverb laden guitar arpeggio with 80's style drum sample and siren like background synthesizers interlinked by a building duelling guitar solo. The track has a summer feel to it and is one of the more guitar orientated and more chilled out tracks to be taken from Jamie's upcoming debut LP 'Melodic Electronic'."

Where his wonderful first single 'The Power' was loud, abrasive and laden with jittery electro beats, 'Cool Blood' is far more guitar-oriented with a super mellow vibe. His self-confessed interest in the music of Tame Impala is evident, but I also got strong hints of the solo work of Animal Collective's Panda Bear. Adam's vocal fits perfectly with the breezy day-glo ambience of the track, and visually the video captures the subtle psychedelic retro soundscapes he paints. This dude abides 100% with Jamie Adam's sound and ideas and is very much looking forward to hearing the full LP on release, keep an eye on him.


Jamie Adam plays a headline show in The Bello Bar, Dublin on Saturday, 14th of July. The event page & ticket info are here 


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Saturday, 7 July 2018

EP: Noel O'Brien - Sunken Lines

Noel O'Brien - Sunken Lines


Info: In 2015, Tipperary singer-songwriter Noel O'Brien appeared from nowhere with his debut EP, Yet to Come, it was a breath of fresh air at the time, and beyond enchanting, with GoldenPlec musing; "Remarkable...is the low-key nature of such a mature collection of songs from the relatively unknown singer-songwriter. Despite sparse instrumentation, O’Brien makes use of clever musicianship and recording techniques to create an ample, textured sound." Music blogger Keelan Foley also noted that; "On the surface it’s a well put-together 'easy-listening' record but digging that little bit deeper uncovers a wealth of creative intrigue and subtle talent." I myself was similarly taken in by the five-track opening salvo, and it was interesting to note that different people had decidedly different favourite tracks, there was no unanimous agreement on what the 'best' song was, and this was a great feature of the EP (my own being 'Reprise' for what it's worth).

Fast-forward almost exactly three years and O'Brien has returned with his second collection of tracks on his Sunken Lines EP. In the interim there's been a full-time and incessant dedication to gigging. The first thing you note is that it feels as though O'Brien has unburdened himself slightly, instantly noticeable on the opening self-titled track, it has the melody and rhythm of a Mic Christopher song, observational and contemplative lyrics delivered by his disarmingly soft vocal.

'Does It Sound...' leaves the door ajar for us to come in and sit against the wall whilst the protagonist bares all from across the room. The intricacy of his guitar-playing on full display, it takes a minute and a bit for the penny to drop for the listener, but there's a genuine sheet of comfort that slowly drops over your ears from his voice and offhand picking. Atmospheres and stainless steel vibrato pop up from the fret board like bouncing drops on 'For What You've Done', a little hint of Elliott Smith in the vocal delivery, "You're never gonna be a chosen one, for what you've done". A scorned lover or a more complex betrayal in a personal relationship is posited. 

Final track 'Sirens' brings us right back to the magic of Noel O'Brien's debut EP, one thing I hoped I'd hear on this second release was the 'haunt' that he brought to the table so well previously. Floydian background sounds add a whimsical mystery to his slow-draw inhaled vocal, it's quite majestic. I used to have so many preconceptions about the singer-songwriter genre, but along with many of his peers, artists like O'Brien have created something entirely new and engaging. Casting off old stereotypes and reaching deep within their creative selves to conjure up songs and moments that are enchanting and ultimately memorable. Indeed, I often wondered what he was up to after that first solo release back in 2015 as time went by, turns out he was just patiently crafting new magic.


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